Tilly And The Wall

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Tilly and the Wall sprang out of Nowheresville, USA — a Midwestern band of like-minded friends with pockets full of melodies...and a lot of pockets. The serendipitous result of five Omaha residents with a penchant for the same classic '60s pop, boy/girl harmonies and Americana folk records, Tilly and the Wall celebrates the petulant, determined, feisty nature of youth. They rejoice in tales of dreams followed, mistakes made, and hearts broken.

Tilly and the Wall has five members: Jamie (tap dancer/percussionist), Kianna (vocals), Nick (keyboards), Neely (vocals) and Derek (guitar/vocals). They released their debut album, Wild Like Children, in June 2004 on Conor Oberst's label, Team Love. Neely and Jamie were once in a band with Conor before he became known worldwide as Bright Eyes. Derek and Nick moved to Omaha from Atlanta, Georgia. Upon meeting, it was as if long-lost friends had found each other: without a doubt, the Tillys were born. Once the songs were written, Conor agreed to helm the production duties, and hence, Wild Like Children was unleashed on the world. As one of the first albums released on Team Love, Tilly and the Wall set a precedent for the label's identity: original, smart, exciting and, above all, easy to sing along to. The record consisted of 11 perfectly formed songs bursting with enthusiastic hyperactivity, while emanating a bitter sweet melancholy of long lost summers and misguided first loves. In front of a backdrop of sunshine, rain and snow, Tilly and the Wall sang songs about loving & kissing, dancing & drinking, staying & leaving, driving & talking, sleeping & dreaming, all set to the tap-tap-tapping of Jamie's toes. The press from sea to shining sea fell in love instantly.

And so, the Tillys went to meet their adoring fans, playing shows throughout America with the likes of Bright Eyes, Rilo Kiley, The Go! Team, Pedro the Lion, Of Montreal and more. When not on the road, the band began working on the follow-up to Wild Like Children, simply titled Bottoms of Barrels. Recorded over three weeks in October and November 2005, the album was produced by AJ Mogis, brother and studio co-hort to Bright Eyes' Mike Mogis. Bottoms of Barrels sees the Tillys taking their signature sound to the next level. The choruses are more rousing, the tapping more intense, the instrumentation fuller, each sound painting broad brushstrokes across your speakers. Longtime friend Nate Walcott contributes a bit of trumpet, while other friends have added drums, bass, accordion and cello. A couple of tracks even feature the vocal stylings of University of Nebraska's own choir Trip the Light Fantastic, bolstering Neely and Kianna's dulcet harmonies. In short, Bottoms of Barrels is an album that is going to continue to set Tilly and the Wall apart from all of their indie pop peers, and is guaranteed to make you love them even more than you probably already do. We promise.

"One of the most wonderful things to come out of Nebraska since Kool-aid and that Bright Eyes Dude" [NME]

"Fiittingly for a gig in an art gallery, tap dancing troupe Tilly And The Wall look like some kind of travelling art installation. Their current allbum, Bottoms Of barrels is this years indisputed indie-pop gem and live they override any of their twee factor by showing themselves off as tattoo-strewn party-heads dressed in leopard-print leotards. Treading the lline between Bright-eyes style emo and sparkly girl-group pop they skip theeir way through irresisitable nuggets "Sings Songs Along" and "Bad Education" [NME Radar special Airwaves '06 Review]